CHRONOKINESIS
Polyhedral expansion with time restricted drawing configurations
Collaborative drawing with Katja Pudor in a white cubic studio space in Berlin using charcoal and white paint, metronome and time-based scores. Initial reference point was the multi-layered polyhedral ivory balls, like the Great rhombicuboctahedron, probably German, first half of the 1600s, inv. no. Pl. CXX No. 242, Tradescant Coll., Ashmolean Museum, Oxford. On completion, cellist Ulrike Brand performed using the wall painting as a musical score.
May 2016
Polyhedral expansion with time restricted drawing configurations
Collaborative drawing with Katja Pudor in a white cubic studio space in Berlin using charcoal and white paint, metronome and time-based scores. Initial reference point was the multi-layered polyhedral ivory balls, like the Great rhombicuboctahedron, probably German, first half of the 1600s, inv. no. Pl. CXX No. 242, Tradescant Coll., Ashmolean Museum, Oxford. On completion, cellist Ulrike Brand performed using the wall painting as a musical score.
May 2016
